A report by Neil Armstrong for Jamaica’s Gleaner. Our thanks to Peter Jordens for bringing this item to our attention.
Lisa Tomlinson’s new book, The African-Jamaican Aesthetic: Cultural Retention and Transformation Across Borders, adds to the body of research examining the ways in which diasporic African-Jamaican writers create their works by tapping into the cultural aesthetics of their African and Caribbean roots to interpret their place in their new homes and local cultures abroad.
Tomlinson, a researcher and scholar, who teaches at the University of the West Indies, Mona campus, in Kingston, Jamaica, explores the writings of Jamaican pioneers, authors Claude McKay and Una Marson, to highlight their ability to draw from the indigenous knowledges around them to counter the Eurocentric focus in literature in the early 1900s.
She also examines the works of dub poets Lillian Allen, Afua Cooper and Adhri Zhina Mandiela in Canada; and Linton…
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